Pro Tools 110

1. Removing: Just removing from the Clip List. Stays on Disk. Deleting: Removing from Clip List and Disk.

1. Move to another note, value or time location, delete note

FMP: links Send Pan to Main Pan

PRE: making it pre- or post-fader (pre when highlighted)

1. 120, 4/4

1. Audio Clips: Quantization is applied to clip start times. Elastic Audio: Quantizes notes in the audio clip

1. Hybrid: Premium software synthesizer. Structure: Sampler workstation

1. Export settings button. Will be saved to the selected directory location (default: IO Settings). They are also saved in the ProTools Session. I/O settings are automatically loaded when opening a session. You also can import a I/O settings file by pressing “import Settings” in the I/O window

1. Style of the accented (first) and unaccented beats. If driving a click using MIDI

a) right click on group -> Show only tracks in group  // CONTROL-Click on group

b) click in column left to group name in Groups List (full circle appears)

1. Clip by Clip: Each clip is processed on its own. So for example when Normalizing different clips, each clip now is at the loudest possible level and the dynamic changes between the clips are gone. When applying Normalizing with “Entire Section” the whole Section is Normalized but the dynamic differences between the clips are still there.

1. To monitor an instrument when not record-enabled. Setting the Default Thru Instrument: Setup > Preferences, Click Default Thru Instrument – Select instrument or “Follow first selected MIDI track”

1. C24: Pro Tools and Pro Tools HD – ICON: Pro Tools, Pro Tools Complete Production Toolkit, Pro Tools HD

Create AUX Track, route the track outputs to aAUX track through bus 

1. Any combination of audio, Midi, and/or Video clips. Yes

1. Audition Path=Lets you specify the output path through which files and clips are previewed

1. Choose Setup > I/O
2. Click on the Output or Bus tab
3. Click the audition Paths selector and select a format and output path

1. I/O Setup

1. Out/ In Shape (Standard, S-Curve ,Present Curves) and Slope. Delete, Change length of a fade.

1. Click key at one end of the range and shift click on another key

Needed when Down Converting from 24 Bit (to 16 / 20 Bit); Dither placed on Master as last Insert

1. A signal path is a logical, named grouping of multible inputs, outputs, or busses based on a specific channel format

Main Path: Logical groupings of inputs, inserts, or busses. (For example Out 1-2: stereo bus mapped to the main hardware outputs)

Sub-Path: Represents a signal within a main path. Stereo input: Two mono sub-paths (left and right)

1. MIDI Step Input, No

1. 1.) Click on the Output or Send selector on the source track

2.) Select Track from the pop up menu and choose the desired destination track from the submenu

A bus will be assigned, routing the signal from the output or send of the source track to the input of the destination track

1. Edit Window View Selector: Above the track display area

Mix Window View Selector: Lower left corner of the Mix window

Switch between different views

a) pre-fader; post-fader on master tracks -> lets you insert dither / other always applied by 100 % 

1. Transpose Pitch in Elastic Properties window (clip > Elastic Properties, or right click selected clip and choose Elastic Properties), or in the Transpose Window (Event > Event Operations > Transpose)

a) click on group in EDIT/MIX Groups List

b) Group List Pup-Up Menu -> Suspend all Groups // COMMAND+SHIFT+G

1. Option/ Alt click

 -INF, change it in SETUP -> Preferences

1. Save clip definitions in audio file. When importing the audio file in an other Pro Tools sessions the clip definitions are also imported